This parure object “jewelry” investigates the body of an architecture student... here, objects of aesthetic become tools, a manifestation of the quantifying and monetized nature of the field’s impositions. Valued for what the student makes, these pieces reflect a society which reduces the wearer’s identity to a mere means of production.

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These technologies transform and dislocate the student into a drawing machine. An assemblage of fragments affixes themselves to the body as though to constrict and detach the delicacy of the organism into an engineered commodity.